A George In The Box

I really enjoy doing these small pieces. A simple composition and a clever title is all that's needed to do these. The photo is not cropped the best but you get the idea. It is framed in a float style frame, black and simple. I have a few more of these started and hope to finish the up soon.

Another Fool And His Money

I enjoy changing the shapes of some paintings. This piece hangs on the wall with no frame and is done on a 1/2" board, these two factors help maintain the illusion of a real dart board. With some trompe o'leil paintings a frame can actually hurt the artist attempt to fool the eye, but it's a fine line, most people like their art framed

Harnett?

I haven't posted anything in awhile, but I have been working on some new paintings. Hopefully they will be finished soon. One of the problems with trompe l'oiel is they take so long to do. In this piece the image torn from a magazine is of the Harnett painting 'The Faithful Colt'. I signed the painting as if  Harnett had painted a trompe l'oiel of his own painting, and dated it the year that the original was done, it makes for a nice twist to the piece. This is one of my favorite Harnett painting and I am fortunate that it is located in my state of Connecticut at the Wadsworth Atheneum in Hartford.

Hidden Assets

This is one of my larger pieces. It's of some importance items hidden away on the back of a painting. The stock certificate of The New York Central Railroad Company was once a prized asset in the 19th century, but now is a worthless piece of paper.The title of the company is hidden by the money to spell The New Company an ironic twist to what has happened over the years.
The choice of the back side of a fifty dollar bill was chosen because I wanted a play on the word "capital". Another ironic twist, the stock is now worthless and there's Washington at the center of it. Trompe o'leil is filled with hidden mesages and ironies, they can make some pieces more successful than others.Sometimes the concept can be just as important as the execution.
The signature on this piece is on the stock itself among all the other signatures. I rarely sign my work in the typical right hand corner.

Awaiting The Master

It's hard to believe that at one time smoking was so acceptable that painting of smoking paraphernalia were sought after. Not quite the case today. This piece is a good example of how two different trompe l'oiel artist have influenced my work. The subject matter is something Harnett would have painted, but the screws along with a torn off tag is a Haberle motif.
These painting are small, quick and fun to do. I'm now working on some larger pieces that take hundreds of hours to do, but work like this makes for a nice break.

The Big Cats

After hearing it was the year of the tiger I just had to post some paintings I did years ago of the big cats. When I left art school that's all I did was wildlife paintings. I was fortunate to have access to skins and skulls from the Peabody Museum and a private collection of taxidermy animals. I gave them up for trompe l'oiel, because to do these animals correctly I would have to start traveling to see them in their natural habitat. And that was probably not going to be happening anytime soon. I often wonder what would have happened if I had stayed with  painting  animals.

The Peale Influence, Delicate And Simple

The Peale family of artist are some of my favorite painter, especially Raphelle and his brother Rembrant. Raphelles still lifes are so simple, and yet so delicately painted that the objects no matter how small or common suddenly become  precious jewel. To say his work has been a big influenced on my still lifes would be an understatement. Here are a few pieces I did with Raphelle Peale in mind.